Yup, Welcome to the Monday mess, where this Monday we shall, mainly because I had most of this written, and I didn’t want to start anything else, via the medium of a small essay, take a flying look at the irony of good music. Will you still love me tomorrow?
In times gone by, that being the time before it was easy to get music off the internet and download individual tracks, the single used to be the selling point, and often the introduction to a new album. Originally the album was just a collection of tracks used to get more money from the consumer. Then Artists like the Beatles, The Beach boys, The Who, and many, many more utilised it for larger artistic statements. Record companies realised early on that they could make bigger profits from the album. Artistic statements aside, the album needed to be made, it needed to be sold, and some singles from the album was the way to sell it. Problem is, this often leads to albums with some good singles and some filler. Early Stones or Who anyone? The reality is there are good albums and bad ones. Singles are or were, not always a good indicator of how good the album is, or was. But unless you read reviews you had nothing else to go on other than the singles. Another problem is a good album does not always have good singles, or singles that catch on. Those albums might not get heard much no matter how good they are. Love’s “Forever Changes” being one example which has become a cult classic over time, and is genuinely a great album.
Of course this is the scenario in very general terms. Bands often built an audience through touring or word of mouth. But the point I’m getting at is a single is not always an indicator of how good an album is. The same tracks aside, you could almost say the two are unrelated. You could easily miss a lot of good music, and easily build up a collection of dross. The irony of good music, is that unless you get proper access to it, and a time to explore it, then you could easily not even discover it. Let me explain a little further.
Often good music or great music is layered, or the quality is not always fully apparent on the first listen or two. It takes our brain a couple of listens to decode it before the qualities begin to shine through. A quick listen on the radio isn’t going to get you that. But from the radio, that is what most people want. We more often need something that is catchy, that has the hooks that pull you in straight away. So receiving music that way, is mostly only a certain type of music. In most instances, anyway. That explains why when you buy an album, even one you soon come to love, it does not sound too impressive in the first listen or two. Unless of course it is full of catchy pop hooks. I cannot remember the amount of times I have bought albums and then had to give them a few days of plays to bed into my mind before deciding whether I really liked it or not.
Generally though, even if you don’t buy a lot of music, you will have some variety of taste. You might have been exposed to it from your parents, family or friends. You might be exposed to it through some constant radio listening, or certain tv shows. There will usually be something that didn’t grab you instantly but crept up on you over time. And there will be the opposite, something that stuck in straight away and sounded brilliant. But after a few plays that initial buzz has worn off. It’s ok but not that amazing. Then a few listens later and it is starting to do your head in. A simple truth in music is that writing music which is catchy, and stays with you, and maybe even reveals more detail over time, is difficult. Some are lucky to put together a good one on the fly, but repeating it? Not so easy. You see the irony of most good music is that it takes some time to grow on you, and reveal itself. It’s like a good friend, more just keeps on coming, even if the way you met was nothing special.
And if you survived that, or just skimmed over it, here is the same argument in “Nonet”:
To your ears, I do not sound like much
but I don’t give it up like that
I’ll tease, and let you taste it
draw you in, be your muse
wonder wat you missed
soon I will
So with that, I’m signing off.
Have a nice week, and tune in somewhen further down it for the next brainsplats blog post.
Lexicon word of the day: etymology.