Music Albums of the year 2012

Regular readers know I like a music post from time to time. This one is my end of year look at this years best albums. For me, this year had plenty of good albums, but not one I think that stood out as something really special, or ground breaking. Mojo magazine went with Jack White’s album, as their number one which shows what I mean. Good, but a bit retro. I like this album, but I haven’t played it in a few months. So for my number one, I went with something different.

Fiona Apple - The idler wheel. Best of the year?

Fiona Apple – The idler wheel. Best of the year?

Album of the year

Fiona Apple – The Idler Wheel Is Wiser Than the Driver of the Screw, and Whipping Cords Will Serve You More Than Ropes Will Ever Do

For the second year running, I’m selecting an album by a female artist (last year it was PJ Harvey’s “Let England Shake”). This one a more unusual choice for me in the respect that I had never bought anything from Fiona Apple before, prior to this year. This means to me she was pretty much a new artist, albeit one with a back catalogue to explore. However with running this blog this year, I took more of an interest in poetry, short story, song lyrics and that whole area. Fiona’s album has a clever mix of intelligent lyrics. and phrasing, and the way she delivers or sings them, with subtle adjustments in her voice, mean there is lots to continually find. It made a good balance for me against the aforementioned interests. Musically it is also pretty subtle, a little low key, a lot of percussion, but it lends a touch of freedom which shows through in the album as a “whole” (speech marks intended). Try “Werewolf” or “Regret” as examples.

Runners up, were Bat for Lashes (another female artist), which I like a lot but as a fairly recent release, I’ve not lived with it long enough. Tame Impala with its neat way of live band dance music, and rolling drum beats, is also pretty cool, and a good soundtrack to various things going on in my life.

Further close calls include Bob Mould’s “Silver Age” (regular readers will know I’m a big fan and only recently saw him live for the first time). Bruce Springsteen also had a good, accessible record in “Wrecking Ball” which seemed to fit in with this election year (in the US). See also honorary mentions which I think are all good albums work checking out.

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The music map of me, and you

(Image courtesy of Microsoft Clipart)

In most cultures around the world, in some way, our lives are linked to music. It might be through traditional songs that tell stories of our culture, it might be from songs in the music charts, it might be songs you hear on a tv show, or it might be songs used to stir emotions which on the surface might seem more primitive, but have a deep underlying resonance. Underlying this might be how we universally have an innate capability to understand music, and to distinguish different musical notes and tones, even if we understand none of it. “This is your brain on music” by Daniel Levitin is an excellent book on this subject, but that is a different blog piece. I’m interested on a different take, and in particular how it works in Western cultures.

Any excuse to mention this album again huh?

Much as songs are used in some cultures to document historical events, and passed on from generation to generation, Western cultures experience this in a different way. There is so much music around these days, and we get exposed to a lot of it. We might have similar interests in music, and have experienced different events with the same music, but all our experience will be different. If you were able to draw a map highlighting how music has impacted your life, you will see that certain songs or pieces of music link to certain events. It could be that you like a song a lot and use it at a significant life event such as a wedding, or it might just be that something was playing as something happened. I’m not talking about your favourite tracks necessarily, it might not be something you chose, or even like, but nevertheless, in some way it is linked. If you were able to somehow extract all these different songs and pieces of music, you would have a music map of you. It would need some translation, but I would hazard a guess that everyones map would be quite different, even if some destinations are shared. I wrote a short piece of fiction called “the unusual map” that began to explore this idea, which I published on the blog last week, however let me examine that idea further with some examples from my life.

In the early days of January 1994, I was in a branch of the long since departed UK music chain “Our Price”, actually one of the earliest casualties of music downloads, and approached a listening post. They had on several not big selling, but critical hits from the year before to listen to. One of these was “Giant Steps” from a band called The Boo Radleys. I had heard of the album, it being Select magazine, and the NME’s album of the year. I had not hear anything from it. I listened to first track “I hang suspended” and immediately knew it was for me. I bought the album. It subsequently soundtracked a significant part of college, and my first year of university, and is still one of my all time favourite albums. This one event however, had a big influence on where my music tastes went, and as regular readers know, I’m a big fan of music.

Sometime in the early 2000’s I was in a fast car with a good friend of mine. He was driving down country lanes at night far too fast. Don’t worry he said, I know these roads well. He has pretty much terrible taste in music. The track playing at the time was “Money for nothing” by Dire Straits, not a favourite of mine it has to be said. I was convinced as a music snob of varying degrees, that I was going to die an ironic death soundtracked to this. Thankfully we got home safe although every time I hear that track now it still reminds me of that drive.

I have an album I like a lot but by someone not really cool, which I call my guilty pleasure. I won’t tell you what that is, because I have a post about it soon.

Bunsen burner” a fun track by musics biggest failure (his words), John Ottway, was a nice live moment which myself and my then girlfriend, now wife, experienced at the half moon pub in Putney back in 2007. It was unexpected fun as we thought the gig would be crap, and still reminds us of those early days together and what seems quite a different time back in England.

“Changes” a track by Sugar I originally got in 1992 on a cassette from long dead UK music magazine “Vox”was incredibly significant in where my music tastes went, even more so than the Boo Radleys. The album the track came from “Copper Blue” was the first CD I ever bought, and one of my favourite all time albums. I heard this album played live by Bob Mould last week in its entirety which I loved. This cassette moment reminds me of my old walkman, some lazy times hiding in my bedroom at my parents house, a fun time in buying / reading the music press, as I discovered a lot of new things, and evenings this summer blasting the remastered version of the album through great headphones. That track and album lives with me.

Elbow’s beautiful track “One day like this” which has become a wedding favourite, was used as the money dance for my wedding. It obviously reminds me of that, actually one of my favourite parts of the wedding, but also of the times around it, and of leaving most of my family to move to the US. If you don’t know the track, take five minutes to check it out below. I’ll be surprised if you don’t like it.


These are just a few of the destinations on what would be my music map. An alternative way of looking at your life and how it has been affected in some way by a small part of your culture. I hope you followed what I was getting at, maybe found the journey interesting, and hopefully made you think of some significant links in your life. If you have time, tell me below of a destination on your map, the track and how it relates to you.

On another occasion I think I might revisit the character from the short fiction and use him as part of a different story. But that is a different post.

Lexicon word of the day: distrain.

Short Fiction – The unusual map

Two things changed my original idea for this Friday’s post. On Tuesday I went to see Bon Mould play in L.A. where he did a complete run through of the album “Copper Blue”, which he recorded under the band name “Sugar”. This album, one of my all time favorites, meant I was really looking forward to it. He also played some of the new album and a few other “oldies” of his. I had never seen him live before, I loved it. The band played really well. Hearing a complete run through of Copper Blue live was, well, worth the wait. For me anyway. It made me want to use it in some small way.

Last Tuesday night at the El Rey

My original idea for this post was to write another 100 word fiction. However the second thing that changed the post, was the idea of writing a short story to tie in with another post I am going to put up soon. I think the gig more tied in with doing that post, than this one. It is a post I thought of a few months back, but had not gotten round to write yet. More on that idea at the end. It was however, clear then that 100 words were not nearly enough for the short story. I think this one ended at 300+ words so it is still a short read, but way over the 100 word exercise. I did this in about 30 mins so apologies if it needs a few corrections.

The Unusual Map

In the moonlight, the Man stood for a moment, closed his eyes, and cast out his net. He took a deep breath, then with a flash of light, it began. For he was not a normal man, and this was not a net of rope and hole. He was what is known to some, as a net-caster. He who saw things in a different way. His cast, a net that could attract unusual maps and people. You might call these music maps if it helps you understand. They can tell you a lot about a person, their stories mostly, how these songs attach to people. These things being what he existed for.

A few seconds later, he withdrew to check if it was working, and to see if there were any bites. Already there were. Adjusting a frequency, like you might tune a radio, he found a track called “Changes” by a band called “Sugar”, and he found a young man attached to it. A rock band, a young man beginning to find his identity, nothing unusual there. Tapping a slender Index finger on his chin, the net-caster ran his eyes over the map. The young man was not young anymore, and there was much more to his story. He hung this map up on his review board. It would require more time and effort later. For now in his net, there was a map seemingly incomplete.

Louis Armstrong’s “Wonderful world” was a destination on many maps, yet this one very significant. A man called Lewis, 27 years old with bad ideas. He wanted to try many things once, odd things like jump from a plane, and attach this song as a soundtrack. One of these bad ideas was to enter a freeway exit the wrong way. To the net-caster this seemed especially strange as there did not seem to be a plan for how he might turn around again. As it turned out, there wasn’t. Lewis hit another car head on. As the map demonstrated “A wonderful world” linked to many of his daft ideas, his life events, to his end, and ironically, his funeral. Lady Gaga’s “Poker face” was the end for the two people he hit head on with his car. The net-caster did not know what to make of this. You often do not choose what fits on a map, but that is what it is.

The net-caster thought humans were strange sometimes. Like the way they describe the reflected light from the moon as cold.

The post this links to, or should I say will link to, is themed around how certain music tracks are linked to you, through certain events in your life. They may not always seem significant. They may not be things you would necessarily choose, but nevertheless they are there. You will hear the song, it puts you in a particular place. The post looks at this from the other side. I will likely put it up next friday.

Lexicon word of the day: oniochalasia. Registered & Protected

Some small thoughts on “routine” travel

I originally started writing this post on saturday where (at the time) I was about to start the post with the word “Yesterday”. What I actually meant was Thursday. To add further confusion I’m posting this days later to keep with my promise to myself, and my wife, of reducing my blog postings. It’s the foggy brain syndrome with travelling. So after starting on a tangent, albeit a relevant one, on thursday afternoon, I caught a flight from LAX to Heathrow in the UK. I’m not staying too long and on this trip, for various reasons, I’m travelling on my own. I’m going to miss my wife and son loads, but it is not for a long time. We are planning to visit as a family in a few more months. Incidentally, for those who asked about my son, he is much better, almost back to normal just a few remaining cough symptoms from time to time, and the odd blocked nose, but otherwise back to normal. So normal that Thursday began at 6.15 AM when he decided it was time to get up.

I didn’t need to be at the airport until 2.30 so we used the morning to pop out and do a few things. Over the last 5 years or so I have done the LA to London route many times, and it struck me how much of it has become routine, and how many routines surround it. It starts with packing a day or two early. I would often forget one or two things when packing so I realised that if I packed a day or two early, then I have time to remember what I’ve forgotten. It seems to work. I also pack my case a certain way. Always roll trousers and shirts. They can be put into the case around the edges working a bit like structural sections. But, having lived out of a suitcase on numerous trips, they also make it easy to remove things and put things back again, without disrupting the whole case.

I’m not superstitious, but I like to wear the same t-shirt when travelling. We have had some good trips in the past, so it is like having an old friend there.

At around 2.30 I got to the airport. We always use the quick drop off to avoid long winded goodbyes. I always use online check in so I can reserve a seat and quicken the bag drop off. Security at LAX (through terminal 3) now involves the body scan. I don’t much care if it appears intrusive, the person at the scanner will see thousands a day. I cannot see how it would be more intrusive than my wife’s gynaecologist, and she has to have a conversation with that person. I went through fine, almost forgetting to remove my sunglasses from my head, but it was ok to hold them. The guy in front got pulled aside, the look on his face as they swabbed his hand was priceless.

Once through security I have a small routine around getting a drink, where to sit to avoid being bothered too often, and when to use the bathroom before getting on the plane. The flight, around 10 hours give or take, can be boring so I try to mix it up with a few films, and reading, a glass of red wine with the meal, and some of my own snacks. I tried to avoid films that I might watch later with my wife so I watched “Warrior” and “Chronicle”, the former better than the latter. The book was the third Game of Thrones book “A storm of swords”. I couldn’t sleep on the plane. I gave it a go, but I couldn’t get comfortable, so I just had shut eye without the sleep.

At the other end the plane arrived on time. I had a bit of a wait for the suitcase, the downside of arriving early at the airport. First in, last out. The best bit was when I went through customs. I had a few gifts with me, but I went through “nothing to declare”. I immediately, and for the first time ever, got stopped by security who asked where I had come from. I misheard, and then with my foggy head, paused before answering. He asked to see my boarding pass, which was in my bag so I said I would have to find it, so he pulled me aside. I found the pass and he asked me to put my case on the desk. He said the classic “you have walked through nothing to declare, do you have anything to declare?”, I grinned and said no. He asked if he had my permission to look through my case. I decided to front it, unclipped the clip around the case, smiled again and said something along the lines of “help yourself mate”. He looked in one corner, spotting some chocolates, then the other corner under some clothes, and that was it! He smiled back and said I could go. Most of the gifts were in the middle. On the way out I spotted Michael Bisping (he is a British UFC fighter), I almost stopped to ask him when he was fighting again, and to wish him well, but I continued on my way. I’m not into celebrity spotting, I was more impressed with that.

I’m staying at my parents, who I usually try to talk to on the webcam at least once a week. We usually do this around 9.30 am pacific time, 5.30 pm UK time. My wife and I decided we would stick with this time so we could catch up after I arrived, and also for me to see my son. It was nice to see them and a bit odd given they had slept the night but it was still like the same day for me. We agreed to try do this again the following day. Later I recalled I was going to try to play a small round of golf the following morning so I said I might not be home in time. My wife asked if I will be playing until 5.30? In foggy brain state I got confused with the time and thought I would be going online at 9.30. Oops. Anyway I did make it to bed later that night, at around 11pm at the end of an almost 33 hour awake day. I did make it up at 7.15 the following morning for golf. I was rubbish at it. The rest of the routine worked though.

Oh also waiting for me when I got to my parents was a copy of Sugar’s re-released and expanded edition of their debut album “Copper Blue”, pictured below. Some readers may recall it is one of my favourite albums!

20 Years old in new remastered and expanded form – yay!

Lexicon word of the day: gomer.

The 10 favourite music albums ever

Todays post is not so much about writing and again, more about music. I like music lists. I like music polls. I don’t necessarily believe them, or agree with them, but I like to look. Sometimes I find they remind me of good or great albums I already have, or albums that have been over looked, and they make me want to play them again. They can validate your own choices, if you need that sort of thing, which I rarely do these days, or they can give you the opposite, and something to argue against. I love the year end “album of the year” polls. I love the “greatest albums of the …” type polls.

With that in mind, considering my own favourites, my own lists, whilst not something I do a lot, is an occasional fun, if not somewhat trivial exercise. Still, so what? It is occasionally fun. Whilst ranting about the Grammys the other day, I mused on my favourite albums of last year. Today I shall consider my favourite albums of all time. To clarify, this is my favourite albums of all time, not necessarily the albums I consider to be the greatest of all time, which may be both similar and different. So here goes, in order (album title – artist – year):

  1. Beaster – Sugar (1993)
  2. OK Computer – Radiohead (1997)
  3. Giant Steps – The Boo Radleys (1993)
  4. The Soft Bulletin – The Flaming Lips (1999)
  5. Radiator – Super Furry Animals (1997)
  6. Brighten the Corners – Pavement (1997)
  7. The Queen is dead – The Smiths (1986)
  8. The Holy Bible – The Manic Street Preachers (1994)
  9. Copper Blue – Sugar (1992)
  10. Parklife – Blur (1994)
With the following close calls:
  • In Utero – Nirvana (1993)
  • Hatful of Hollow – The Smiths (1984)
  • Back in Black – AC/DC (1980)
  • Star – Belly (1993)
  • Teenager of the Year – Frank Black (1994)
  • The Seldom Seen Kid – Elbow (2008)
  • Dark Side of The Moon – Pink Floyd (1973)
  • In Sides – Orbital (1996)
I realise you could debate what is counted as an album here given that my arguable all time favourite is essentially a mini-album or EP, plus just outside the top 10, “Hatful of Hollow” is a compilation of singles, b-sides, and BBC sessions (and is better than the actual debut album), but for me they are included. I would exclude compilations that either contain more than one artist (not including the main artist plus guest), or compilations of hits, singles or similar. But that is just me. You or I can include what we want.
Also interesting to note is the years when the albums came out. Nine of the top ten came out in the nineties. These were my late teens to mid twenties, a time when generally speaking life was more fun. Actually I should rephrase that, over the last few years, my life is as much fun or mores than it was then. Back then it was a time of less responsibility, and of experiences that shaped the person that I am now. It is when I discovered much of the things I liked, and a time that is now, somewhat viewed through the mists of time, and the hazy glaze of nostalgia. This is not to say that there are not loads of albums I have gotten hold of in the last say, ten years, that are also fantastic, for there are plenty. The above list is just my favourites. A component of the criteria I suppose, is that they pass being a mere fashion, or album of the time, and continue to be there and “great” over a longer period of time, i.e. time shows the album to be just as good. That is why I have no choices from the last few years, they’re quite simply not old enough to be included yet. I’m not sure when that cut-off is exactly, it just needs to feel right. That is also demonstrated by the list not changing too much over time. About 5 to 10 years ago, the list was like this:
  1. Beaster – Sugar
  2. OK Computer – Radiohead
  3. Giant Steps – The Boo Radleys
  4. The Soft Bulletin – The Flaming Lips
  5. Radiator – Super Furry Animals
  6. Brighten the Corners – Pavement
  7. The Queen is dead – The Smiths
  8. The Holy Bible – The Manic Street Preachers
  9. Star – Belly
  10. Teenager of the Year – Frank Black

It is the last two which have changed. So I have some constant favourites. I could, I suppose, build a list of fifty or more although the order would get a little more disagreeable. It is a tough call in the top ten. The point with a longer list might be as much that something is included in it, more so than it’s rank in the list. I wish I hadn’t typed this idea now, I’m probably going to end up doing it. I am now kind of intrigued what might be included, how much of one artist and so on. On my iPod I have 35 days of music and this isn’t everything I own. Yes, I said iPod, there is too much space taken for my iPhone, – and that is kind of scary that iPod is starting to sound slightly out of date already. Although I prefer CD (I have a half decent stereo), and that sounds even more out of date, but i digress.

You can see my choices favour rock and pop more than dance music, only Orbital is near the top. That reflects my music collection at large. There is dance music (e.g. LCD Soundsystem as a recent favourite), and some hip hop, in there, but more of it is rock, pop, folk, alt-country, and things around the edges of that. I may post more on why I like some of the choices, in a later post. You may begin to see here why I like lists. It is the alternative viewpoint of looking at what I own, and they can give me some perspective on it. I like when they make me pick up something I haven’t played in a while and it is good all over again. I think you can tell I like music, a lot more than lists. What would your choices be?

Lexicon word of the day: mendacious.

Copper Blue 20 years old this summer

This past monday I was going to write some words on what Copper Blue by Bob Mould’s then band “Sugar” means to me, but I got distracted by the Grammys. It did have some relevance in the end, but it wasn’t what I was going to write about then. – Back in 1992 when I was finding out that I loved music, but was still finding out the beginnings of my taste, I would buy a variety of music magazines / music weeklies, often with a free cassette, so I could check out some tracks, and no doubt then, considered my music collection increased. These days I still buy Mojo magazine, but that point is distraction here. One such cassette from a magazine in those earlier times contained a track called “Changes” by a band I’d never heard of called Sugar. Back then there were lots of bands (especially Indie), that I had never heard of so it was nothing new in that regard. However “Changes” was one of those tracks that was different. It’s opening melody just stood out. It was guitar music but not like the hair metal or fret w*nking, of similar ilk to most eighties rock bands, nor was it the melodies of pop bands like the Smiths. This was a little more dirty sounding, a little more raw and basic (plus at this time I was still yet to hear Nirvana, which followed shortly after). But it felt real in a doable sense, and it rocked. So naturally I wanted to give the album a try.

At this time I owned little music, the indie scene was considered a little bit cool, and (this sounds completely daft now), you didn’t want to make any embarrassing mistakes buying the wrong album. Describing what music you were into was a bit like describing your personality then, although now I come to think of it I can usually tell what someone is into now and vice versa after spending a bit of time with them. Also I find it hard to buy an album after it has done big sales in the charts. It feels like everybody’s then, and not as personal, and that I’m buying it on everyone else’s recommendation and not my own. I want to eliminate most of the snobbishness in writing, but in some ways, I will always be a bit of a music snob. Ho hum.

So to cut a slight tangent off and get back to the point, I bought Copper blue. It was a good choice, didn’t hurt my “music coolness factor”, well actually it probably improved it (not that I was ever cool but you might see what I mean). I listened to it a lot. It was a bit punk, a bit melodic. The singer seemed to be putting a lot into it. It was part of the soundtrack to my college years. This music was real. I still don’t know what I mean exactly, by that. Tracks like “The act we act”, “Good Idea”, “If I can’t change your mind” all seemed to mean something to me, although perhaps as I would come to find out, a little different to what they meant to Bob. But this is how a good album works. It might not sound good at first, but it grows on you, then grows into you, so that it becomes a part of you. The songs become a part of your life, they soundtrack certain things, and remind you of certain things, both of which might be the same. This is what Copper Blue did to me. I still love playing it now of course, otherwise this post might be taking on a different meaning. It went on to become the NME’s best album in the year end poll for 1992, so it validated my pick, but also validated some of my choices in where my music tastes were going. I thought this was important at the time. Is it still now?

It occurs to me that I often find new music by reading the music press (or these days sites like Pitchfork). I’ve read so much of it over the years that I can usually tell by how an album is favoured across a few different publications whether it will be something I would like. This is aside from listening to it on the radio or online. In comparison the itunes / Amazon previews online rarely give me an indicator of this, perhaps because there is only song fragments and I need to listen a number of times. It may have been experiences such as the one with Copper Blue that provided the grounding for doing this, after all I don’t use it as the proverbial bible, but just a starting point. I’m beginning to think Copper Blue has more to answer for than I first thought.

I subsequently learned more Sugar, and about Bob mould (Sugar was essentially a Bob Mould band under a moniker). Bob had been a big influence in the punk scene as part of the band Husker Du, which was a lot rawer, and less melodic than Sugar, or even Bob’s solo material. Later in the nineties, Bob was outed as a gay man so there was the potential issue of the love / relationship songs being sung about another man rather than a woman. Was I bothered about this? Well no actually, and why should I be? I kind of figure that when a song is out there it can be about whoever. Plus relationships have the same underlying emotions regardless of whoever is involved, I’m secure enough in myself that I don’t have to have concerns it they happened to have been written about two men. The music was far too good for that anyway, and I’m also not a homophobic idiot.

Not too many months after Copper Blue came out, a six track mini-album called “Beaster” was released. This was much more raw, and a lot more emotional and cathartic for Bob, you could pretty much tell this from the vocals. These tracks it turned out, were also recorded at the Copper Blue sessions but deemed to intense for that album, so were released separately. I loved this even more. At a push I might even name it as my favourite album, even now. It was just brilliant, – noisy and intense, and at odds from a lot of other music I had been buying (I was likely getting into The Smiths at this point as well). It served as part Yin to the rest of it as Yang, if you want to view it like that, and to which I guess is partially true. It is also played less than Copper Blue. Beaster is a more intense experience and preserved as so by not playing it too often. Copper Blue, brilliant, a little more towards Pop, less intense, arguably Bob’s best album (and my second favourite of his). Incredibly, almost twenty years old (and I suppose with it, Beaster). It still sounds as fresh now, a brings back lots of memories of times long gone. Well that and some new ones. Still good see! – Bob will be playing the album in full, in San Francisco, on February 24th 2012, followed by some European dates.

Lexicon Word of the Day: Lollygag.